The
Genre of this piece of text is clearly the first page of children’s story book.
This is evident due to the large and illustrated O, signifying the beginning of
the book. The discourse of layout also justifies the story theme, and friendly
illustrations at the bottom of the page convey a pirate themed
story.
Due
the ‘hand drawn’ illustrations of pirates makes it clear the audience in this
text is children, possibly a male dominated audience due to the gender feud
within the text, implying that girls are bossy, ‘she makes us do this’ etc. The
grammar used including the complexity of sentences and sentence lengths is
evident in portraying an audience of a child as they will be learning new words
and phrases also having full attention towards the story.
The
purpose of the text is to entertain children be for bed-time. This is clear
within the use of lexis in the book. Including the use of slang words to create
a vision of the pirate characters before a child goes to sleep. What follows
this is the context
of reception, as children usually do not read their own bed- time books, so
the slang phonology of lexis including ‘sick o’ ‘wi’ will be read by parents in
a pirate voice, simplifying the text to a child’s understandment. The other
phonology which conveys the context of reception is the use of alliteration and
rhyme throughout, this makes the story lighter and easier on the ear to listen
to making it appropriate for a bedtime story.
During the context of production, the writers of this book
have used many techniques to appeal to its genre, audience, purpose, and
context of reception. The book was produced online, however made to look ‘hand
drawn’ with the illustrations and the text discourse on an old treasure map.
They have done this to create a more interesting look to their book, as the
children will look at the images and illustrations whilst the parents will read
all of the interesting phonology to the child to engage them within the story.
One topic mentioned within the
debate between Johns and Lindsey was if a person can bebidialectal.When in pressured situations, such
as a job interview where a person is expected to conform to the regularity of
punctuality and grammar, a person may feel under pressure and subconsciously
slip into ‘comfortable’ and ‘bad’ habits of speech. This may harshly effect
their future opportunities if not dealt with efficiently. When a person uses a
form of slang, whether it beracial, geographical,
orclassrelated that person should be free to
express themselves in this way, and continue exploring in depth where the
commonly used words come from and the history behind them. As Michael Rosen
argues, William Shakespeare himself, used the slang word ‘cous’ within one of
his most famous plays, expressing that using a form of slang doesn’t limit your
chances, it explores your individuality and creativity.
Banning slang in schools is a very
controversial code of conduct being enforced by schools such as Manchester
Academy. Benjamin Zephaniah, a well-known Jamaican-British writer, famous for
writing poems with the deliberate use of slang to convey his view on society
and how his thoughts and feelings are pigeon holed, had visited the school in
Manchester to hear the views and opinions of the students who’s right to use
slang words had been taken. Although
the principle at the Manchester Academy is pleased as since the 2007 ban on
slang, they have seen a ‘5% improvement with exam results’. One student felt
she was being ignored again and again once she began using the ‘formal’
language, so deliberately used words from the ‘forbidden thesaurus’ just to be
heard, which resulted in this girl receiving a devastating De-Merritt from the
school system.
In one debating clip between Frances Gilbert,
and David Lammy MP, perceives the men discussing whether or not we should
enforce children in schools how to speak properly. I believe this is animpossibleaspect to control! The children’s way
of dress is already determined by the school to convey how all pupils in the
hierarchy of the school are equal, so why enforce a rule which has been stated
by Lindsay Johns can define ‘power?’ As
Gilbert states within his side of the debate you cannot change a person’s
speech, without their emotional state being influenced. This is evident within
the film ‘My Fair Lady’, as she was taught how to become an elegant duchess,
however she became deeply saddened and felt she had lost her identity. How can
we be sure this will not happen to the children in schools once their right to
speak freely is removed?!
The only aspect which should be removed by
schools is a child’s limitations! Children should be confident within their
social class, gender, social group, ethnicity, etc. as our school system should
not ‘pigeon hole’ them for using slang. Slang is used in everyday life. Even
stated byAnn Widdecombeit is even used by respected and
well educated politicians in casual coffee rooms! Therefore there is no strong
evidence that suggests using slangappropriatelywill affect any of your goals or
ambitions in life.